“Der Stadtklingone” (The City Klingon)
“Hey Diddle Diddle..”
“The Sorcerer”
“Das Auge” (The Eye)
“The Abyss”
“The Gatlings”
“The Toy General”
“Seinsgeweide” (Intestines of Being)
“Der Besucher” (The Visitor)
“The Future of the Past”
“Indian Country”
“Der Geometer” (The Geometer)
“My Sentimental Robot”
“Nightly Faces”
“Anderwelt” (Other World)
“The Critic:Risking an Eye”
“Fischtraum” (Dream of the Fish)
“Der Poet” (The Poet)
“In Vino”
“Japanischer Winter” (Japanese Winter)
“Man Made”
“Anderwelt” (Other World)
“Anderwelt” (Other World)
"Anderwelt" (Other World) was created in 2000, about 9 month daily work, within a period of about one year, using only "Painter" (Metacreations )  Print: IRIS-Print on Somerset Velvet Size: Paper: 74x74 cm, Picture: 60x60 cm Copies: 95, numbered and signed, and 5 artist's copies (I) Price: 675.‒ Euros Artist: Björn Dämpfling
Originally the file for “Anderwelt“ was named “Mystery” a reference to the TV-series “X-Files” which I had watched with my son a couple of times. Like “Evolution”, “Dream of the Fish” and “Palaeobionics” this image grew out of a figure in the center of the square image format, the most neutral of all possible formats. The figures in this image move in all directions out of the square into the space beyond the “visible” or they seem to come from there. It’s like looking through a window into another world: “Other World”, that’s not only the literal translation, but also the meaning of “Anderwelt”. I don’t care, if I can find the titles I chose in a dictionary or not. I do not actively search for new words, but sometimes it just happens and then I do create them. The three images mentioned are also examples of the fundamentally different outcome, of the autonomous aesthetic character that can spring from one and the same source in formal terms, showing that general ways of characterizing them like “surreal” or “organic shapes” fail to pin down these differences.