“Der Stadtklingone” (The City Klingon)
“Hey Diddle Diddle..”
“The Sorcerer”
“Das Auge” (The Eye)
“The Abyss”
“The Gatlings”
“The Toy General”
“Seinsgeweide” (Intestines of Being)
“Der Besucher” (The Visitor)
“The Future of the Past”
“Indian Country”
“Der Geometer” (The Geometer)
“My Sentimental Robot”
“Nightly Faces”
“Anderwelt” (Other World)
“The Critic:Risking an Eye”
“Fischtraum” (Dream of the Fish)
“Der Poet” (The Poet)
“In Vino”
“Japanischer Winter” (Japanese Winter)
“Man Made”
"Palaeobionics" was created in 2001/02 It took about one year, 9 month of it daily work) using only "Painter" (Metacreations)  Print: Piezo-Print on Somerset Velvet Size: Paper: 74x74 cm, Picture: 60x60 cm Copies: 95, numbered and signed, and 5 artist's copies (I-V ) Price: 675.‒ Euros Artist: Björn Dämpfling
„Palaeobionics“ is a made-up word from “Paleontology” and “Bionics” an ironic reference to the outdated design of electronic devices from 40 years ago, being a major part of the visual material and their partial “vivification”. It was in the early sixties when as a kid I was sitting in the attic of our small house, looking down into my dad’s electronic workshop, in order to wait for an opportunity in which I could explore the place without being disturbed. Half a decade after his death one of his books about transistor circuits fell into my hands and I started to remember the time vividly. A little later I began working at this drawing and after a couple of weeks it came to my mind, what I was really working at. So I took the book and checked the correct abbreviations stamped on the electronic elements and honoring my father I “built in” a working preamplifier circuit. In general, if it comes to images, I am only concerned about things functioning “visually”, no matter how dysfunctional the depicted things would be in reality. So the image got its title as usual in hindsight. In 2003 “Palaeobionics” won the competition „International Open Image“ in London, 662 contenders.