“Der Stadtklingone” (The City Klingon)
“Hey Diddle Diddle..”
“The Sorcerer”
“Das Auge” (The Eye)
“The Abyss”
“The Gatlings”
“The Toy General”
“Seinsgeweide” (Intestines of Being)
“Der Besucher” (The Visitor)
“The Future of the Past”
“Indian Country”
“Der Geometer” (The Geometer)
“My Sentimental Robot”
“Nightly Faces”
“Anderwelt” (Other World)
“The Critic:Risking an Eye”
“Fischtraum” (Dream of the Fish)
“Der Poet” (The Poet)
“In Vino”
“Japanischer Winter” (Japanese Winter)
“Man Made”
“The Abyss”
“The Abyss”
" The Abyss " was created Dec. 2007 - Jan. 2010, (about 9 month daily work) Print: Piezo-Print on uncoated Somerset Velvet  Size: Paper: 76x112 cm, Picture: 84x56 cm Copies: 25, numbered and signed, and 5 artist's copies (I-V) Price: 975.‒ Euros Artist: Björn Dämpfling
It was this image which gave me the idea how to title a single exhibition in the town of Röbel/Müritz, "Eerie Beautiful", because in its progress of making, sometimes halted for many month, feelings of joy, yet endangered,zest for life and the opposite, were all part of this. Gleefully watching structures grow, sensual shapes, but never the less danger and one can't say if everything is going down, sucked into the gorge or if it is disgorged. This said, it still sends a message of calm that I myself have difficulties to explain. "The Abyss" itself is shown as a color flow from grey to black, which a coldness and precision only a computer can generate, unhuman, eerie, with the push of a button. As a thought through counterpoint to the laborious handwork at the PC which created the drawn and painted elements of the image, that is, its creative substance. Honerable Mention at the Donnie Award of MOCA (Museum of Computer Art) New York